I don't follow you, OMNI.
Godzilla's been a franchise for nearly 60 years and it has 29 films under its belt including Dean Devlin's '98 picture.
The last film (Godzilla Final Wars) came out back in 2004. Currently, Toho doesn't want to produce further features, but considering the character makes them so much money, they licenses him like hell.
Legendary Pictures bought the rights two years ago, and even though Toho isn't directly attached to the project, Yoshimitsu Banno, who directed 1971's Godzilla vs. Heodrah, is one of the producers.
Plus -- they KILLED Godzilla at the end of the film!! That's a massive no-no!!
The same way there have been so many incarnations of James Bond. Toho has always treated Godzilla and their other monsters like actors, resulting in lose continuity and dramatic changes in character traits.thats my point how could it possibly be done diffrent and well after so many years under its belt?
Meh. The original Godzilla, despite the cultural nuances that gave the film its somber flavor, was a by the books example of American monster movies of the time. The Beast from 20,000 Fathoms and King Kong were huge inspirations for the film. Americans can make a giant monster movie just fine, as long as those Americans aren't hacks.However, they absolutely must not rip Godzilla out of his Japanese roots or change the essential character of the creature.
Well, he obviously wasn't really dead...as he DID come back. Ultimately, he seemed to show up whenever Japan needed saving from gawd only knew what was determined to destroy it.Toho killed Godzilla at the end of his very first film.
The same way there have been so many incarnations of James Bond. Toho has always treated Godzilla and their other monsters like actors, resulting in lose continuity and dramatic changes in character traits.
Allegedly everyone involved in the Legendary Pictures film want to make it a faithful homage to the '54 picture.
Meh. The original Godzilla, despite the cultural nuances that gave the film its somber flavor, was a by the books example of American monster movies of the time. The Beast from 20,000 Fathoms and King Kong were huge inspirations for the film. Americans can make a giant monster movie just fine, as long as those Americans aren't hacks.
That was the big sin of Devlin's horrid film - it gave us GINO.
Well, he obviously wasn't really dead...as he DID come back. Ultimately, he seemed to show up whenever Japan needed saving from gawd only knew what was determined to destroy it.
Please take this reply in the tongue-firmly-in-cheek tone in which it was intended.
I like my story better.No. Godzilla literally dies at the end of the first film. The audience witnesses his body disintegrate into a skeleton which then dissolves into the ocean. This is followed by Dr. Yamane voicing his fear that man's actions may create another Godzilla.
Dr. Yamane returns in the first sequel, Godzilla's Counterattack (aka Godzilla Raids Again/Gigantis the Fire Monster) and asserts that Japan is being menaced by a second Godzilla.
Furthermore, Toho insists that the titular monster that appears from 1955's Godzilla's Counterattack to 1975's Terror of Mechagodzilla is a 2nd Godzilla.
Godzilla was also killed at the end of his 1984 reboot (which was released in America as Godzilla 1985) when he fell into Mt. Miahara. This reboot, which disregarded all previous entries save for original film, implied that it was the same Godzilla. Then Toho retconned his death five years later with Godzilla vs Biollante. Suddenly, he was simply trapped in the volcano, and terrorists planted explosions that released him. And the next sequel, Godzilla vs. King Ghidorah, went a step further by saying that the Godzilla in Godzilla 1985 was a second Godzilla which was created as a result of people from the future tampering with the timeline.
Toho killed Godzilla at the end of his very first film.
Meh. The original Godzilla, despite the cultural nuances that gave the film its somber flavor, was a by the books example of American monster movies of the time. The Beast from 20,000 Fathoms and King Kong were huge inspirations for the film. Americans can make a giant monster movie just fine, as long as those Americans aren't hacks.
Japan's atomic/nuclear theme seemed to be a response to the horrors that were created as a result of the bombings of Hiroshima and Nagasaki. The timing certainly was there, as they would be seeing deformed offspring as a result of radiation poisoning.This is just off the top of my head but I remember hearing how the original Godzilla was supposed to be symbolic of the American domination and destruction of Japan during WWII. Doesn't Godzilla destroy Tokyo and a good chunk of Japan in the first film? Of course since Godzilla gets killed at the end that is supposed to symbolize Japan defeating America or something like that.
There is also the nuclear bomb connection which many giant monster movies had as a theme at that time.
This is just off the top of my head but I remember hearing how the original Godzilla was supposed to be symbolic of the American domination and destruction of Japan during WWII. Doesn't Godzilla destroy Tokyo and a good chunk of Japan in the first film? Of course since Godzilla gets killed at the end that is supposed to symbolize Japan defeating America or something like that.
There is also the nuclear bomb connection which many giant monster movies had as a theme at that time.
As do I.The best route in my opinion is to rent/purchase/watch Classic Media's Gojira/Godzilla King of the Monsters release found here:
http://www.amazon.com/Gojira-Godzil...4TLQ/ref=sr_1_3?ie=UTF8&qid=1298419151&sr=8-3
Watch both versions of the film, plus the supplemental material.
I personally prefer the Raymond Burr version (and Honda really enjoyed it as well), but there's no denying the original is a (mostly) superior film.
I do recommend GMK, as Jolist does, even though it's one of my least favourite Godzilla films. I find the idea behind the film far more compelling than the execution.
Perry Mason was something different because it wasn't the "good guys" going after the "obviously guilty" bad guys. This show was about the innocent being wrongly accused and having to find a lawyer (in this case the wildly successful Perry Mason) to prove that innocence.Fascinating; I know next to nothing about Perry Mason.
I want to re-edit Godzilla 1985 to give Burr stronger ties with the original film; I'm thinking flashbacks to his first encounter with Godzilla and some Game of Death style doubles intercut with close ups of his face and the faces of actors from the Japanese production.