For me Time was better...
Okay I just watched it. I agree that this episode didn't suck as much as the others I've seen (except for Time, which I liked better), but imo this episode still sucked. I managed to avoid the fast-forward button, however, so that says something.
But as to parts that I actually "liked" of this episode - it was basically only 7 or 8 minutes. The part with the red-headed girl (although come on, legends, god-like powers? please…sounds a little familiar…), the shuttle crash (although the girly screams as it was on it's way down were very distracting), Telford telling Young to follow orders, Varro's scenes
and I guess the Riley death part - but that part didn't really ellicit an emotional response for me, just because I don't give a crap about the characters. (Thought Ferreira did a good acting job tho.)
The characters are the real problem, and what I think is the unfixable one, or SGU's "fatal flaw" if you will. Even in the "okay" episodes I just don't care about the characters. At all. Except for Varro and the Ginn girl. I also don't feel a sense of mystery or interest to find out what the mission is. Rush's line: "This ship was named Destiny for a reason" fell very flat to me.
And then there were the parts w/ the "projections" of the wife and Franklin. Those parts were very prominent in the episode, and they stuck out like a sore thumb to me. I thought it was a sloppy writing device to show Rush's internal struggles - and not only that, but most of it was actually superfluous. Meaning, we could have gotten enough information from Rush just making worried expressions and seeing buzzing warnings on the consoles at appropriate times. That said, I get the impression that the writers may view those scenes as the KEY scenes - to introduce the "ship" as sentient or whatever it is they are doing - which just goes to show they plan on taking the show more and more towards what I find to be a pretentious "spiritual" direction.
They hit on the spirituality stuff in the scene w/ Riley and TJ - with the light coming through the window, and the baby-talk - I thought it was very cheesy. Now, I don't have anything against spiritual themes, per say, but the way they are handling the themes here just does not work for me - it feels like they are trying way too hard to be "deep," but they are missing the mark.
And Young losing it and almost killing that LA guy? Hmmm…I wonder why Telford didn't just tell the SGC about that and then take command after that. Wasn't Telford supposed to be in charge anyway? I can't remember now…