Oh dear....I just saw this, and now I completely understand why you chose to use a rare occasion to use a descriptor like "turd". You could not have been more accurate with that term. I mean, what did I just watch? This movie is an unabashed immigration reform movie, specifically addressing the issue of illegal immigration into the United States by Latinos from Mexico. It couples this with the idea that once the rich whites are no longer in control of earth, it will be overrun by blacks and Latinos (mostly Latinos). But on Elysium, everyone is European and/or white. I would not even mention this "race" element, but it is quite sharply emphasized in this film. What's more, almost all of the remaining inhabitants of earth are Latinos and a smattering of blacks, and on Elysium there are mostly all whites....where did the majority of Humanity go in this film? That would be the Asians. Very little representation of them in this film. But that is just the social commentary portion of this review.
The cinematography, quite simply, SUCKED. Too much movement, to many cuts in scenes, bad lighting, the works. The space station Elysium is a thing of beauty as far as design, with an open air inner ring which is protected by a shield of some sort to enclose an atmosphere. We are "treated" to French-speaking, upper crust citizens of Elysium sipping wine, impeccably dressed and what not...but the central characters Jodie Foster and Matt Damon just dont pull this off well at all. The characters are poorly developed, and the supporting characters are even worse. They did get the look right, making Los Angeles look like some third world slum (presumably what the world would look like if Latinos ran the city? ). The flying shuttles and other tech looked convincingly weathered and worn, but the OVERWHELMING social commentary was what dragged this film down.
In a nutshell, this movie is about illegal immigration into the United States from the side of the illegals, trying to make a case for a path to US citizenship even if it means revolution. Not a message I am interested in hearing, and definitely not seeing in my movies. Whatever my feelings on this issue, it was a poor choice for the core story of this movie. I give it two thumbs down.
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What I got from this was health care not immigration issues. All the people making the trip to the station were the sick, injured or infirm. When everyone was added as citizens the hospital ships were dispatched to Earth not just LA.
As a whole, I agree, it's a turd.
So, yeah, back to the bad. In addition to the corny tricks and gimmicks that Blomkamp uses to gild his cluttered, ultra-violent (several people gorily explode in the movie) action sequences, Elysium suffers from a dearth of thoughtfulness. The allegory he's working with here is about immigration and health care, and while those are indeed pressing topics ripe for spinning into dark and insisting fables, here the messaging is too literal and blunt. A ship full of illegals lands on (in?) Elysium and they flee like immigrants across the U.S./Mexico border, only to be brutally and inhumanely captured. Basic healthcare is hardly available on Earth, whereas on Elysium they have machines that can cure anything, essentially granting immortality. It makes sense that Blomkamp would feel the need to delocalize his themes for his first big studio movie, but he's made them too broad, too general. He wields them clumsily and arrives at too many simple conclusions. (Undocumented immigrants are people too, everyone should have healthcare.) It's admirable that Blomkamp wants to say something amidst all the crunching and booming, but his themes feel distressingly under-considered this time. Where District 9 soared with genuinely stirring sadness and triumph, Elysium dully editorializes in between by-the-numbers action scenes.
Well, everyone was speaking Spanish on earth (as well as English), but the vast majority of all the people on earth were Latinos...even the whites who lived there spoke it. There was the Catholic nun...you cant be a WASP and be a Catholic. Also, the majority of Americans are not Catholic. Catholic nuns on earth in the mid 21st century? Not likely. The whole "undocumented shuttles", the deportation process and requirement for citizenship to get healthcare...how could you miss that? The goal in getting to Elysium was to gain access to healthcare and the healing chambers, and citizenship was required to get it. This is the story of illegal immigrants and US citizenship. I dont think the makers of this film even cared what the rest of the world thought or understood from the movie. They shoved it in your face every minute of the movie...indeed, it was the core story of the film! Healthcare and immigration are married issues in the US. Non-citizens are denied healthcare beyond the basics in America. I cant remember if you are American or not...are you? I cant see this movie making much sense to a non-American.
Christians are still #1 by a wide margin, with Catholics making up about 50% of all Christianity.
Screw this movie and its healthcare message.
Aside:
I'm f**king tired of this "me! me! me!" attitude from the loudest bunch of idiots in this country. They cling to that goddamned bible like its a f**king science book and instruction manual on life but ignore the most basic principles in it when it suits their needs, like taking care of the poor and the weak.
So, just to be clear, this movie isn't even "good" enough to rent for a few laughs at how bad it is?
Gonna have to go with joelist on this one, the social commentary was on the level of a teenager. Visuals were good, the message and story was lacking.
Yes, I'm back, was busy this semester.
Did you not catch Gravity yongjin? You sorta had to have seen this one in theaters though because the visuals were a huge part. I thought that was the best sci-fi movie this year, although one could make the argument it was more realistic sci than sci-fi.
This is not the jmoz you're looking for. *waves hand*Jmoz???
Is that you??
Thanks, missed sci-fi and talking sci-fi for a good while. Fun to be back.
You might not like Gravity joelist; it was mostly visual and the story was more a metaphorical journey. You sorta have to see it in 3D. But I was completely engrossed the entire time. And I think this movie might have set or just be the new standard for incorporating effective 3D into space based movies. All other 3D tend to be tacked on for added sales preying on stupid consumers.
I wanna see where this goes in future space based sci-fi flicks. The way they did the debris field and collisions was just extremely well done. It wasn't some explosion and all the remnants just disappear like most explosions in movies. Hopefully someone comes up with a good sci-fi story using these things effectively.
Think it's still playing in some theaters, but Smaug might have taken over most of them. I saw it in 3D Imax.